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X-ORIGINAL-URL:https://blackoperaresearch.net/
X-WR-CALNAME:Black Opera Research Network 
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BEGIN:VEVENT
CLASS:PUBLIC
UID:MEC-53ed35c74a2ec275b837374f04396c03@blackoperaresearch.net
DTSTART:20250612T163000Z
DTEND:20250612T173000Z
DTSTAMP:20250520T175200Z
CREATED:20250520
LAST-MODIFIED:20250606
PRIORITY:5
SEQUENCE:3
TRANSP:OPAQUE
SUMMARY:Opera Post 2020
DESCRIPTION:[et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]\n2020 was a watershed year for opera worldwide. The Covid-19 pandemic and the concomitant reevaluation of familiar economic and social institutions compelled opera creators and organizations to think creatively about new routes to access, representation, and resilience. Five years later, the world has changed almost unrecognizably. With the rise of political sectarianism globally, it is not unreasonable to think that the 2020 moment is over. Reversals of diversity initiatives and a global turn towards isolationist cultural politics are threatening to erode the hard-won changes of the past half-decade. This panel convenes an international group of scholars and opera makers to ask where opera finds itself today, five years after it set off in a hopeful new direction. Specifically, the participants reflect on opera institutions’ initial responses to the 2020 moment, and on how the promises and changes implemented at the time have aged. They examine current challenges facing those working in opera, and think about methods of creating art, scholarship, and community in an increasingly fractured and unpredictable present.\n \nDiscussion points may include but won’t be limited to:\n\nstructural and artistic resilience amid political change\nimpacts of cultural nationalism on artists, institutions, and creators of opera\nopera’s historical ties to nation-building projects\nafterlives of expressions of solidarity\nopera and digital communities\n\n \nPanelists:\nDr Antonio Cuyler (University of Michigan)\nAria Umezawa (Stage director and co-founder, Amplified Opera)\nAnn Masina (Singer, composer, theatre maker)\nModerator:\nDr Allison Smith (Public musicologist)\n[/et_pb_text][et_pb_button button_text=”Register here” _builder_version=”4.18.0″ _module_preset=”default” button_url=”https://docs.google.com/forms/d/e/1FAIpQLSdy_usthBru8V_U-Ympuw3XswreU7Jik8sxQ4SwJ_kD14ryww/viewform?pli=1″ url_new_window=”on” hover_enabled=”0″ sticky_enabled=”0″][/et_pb_button][/et_pb_column][/et_pb_row][/et_pb_section]\n
URL:https://blackoperaresearch.net/events/opera-post-2020/
CATEGORIES:Upcoming
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